Ratings
6.3
6.2
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: The charges were false. The terror was real.
Status: Released
Average Rating: 6
Release Date: Dec 24, 2002
Rating:
Run Time: 4h 00m
Original Language: English
Website: -
Production Countries: Canada , United States of America
Production Companies: Alliance Atlantis , Spring Creek Productions
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Deirdre Bowen
Tina Gerussi
Holly Powell
|
| Executive Producer |
Paula Weinstein
Ed Gernon
Peter Sussman
|
|
| Producer |
John Ryan
|
|
| Production Manager |
Gordon Yang
|
|
| Production Coordinator |
Bruce A. Hutchison
|
|
| Production Accountant |
Nathalie Laporte
|
|
| Location Manager |
John Musikka
|
|
| Assistant Accountant |
Sue Sparling
|
|
| Extras Casting |
Sara Cuthbert
|
|
| Executive In Charge Of Production |
Paul Vella
|
|
| Assistant Production Manager |
Deborah Wilkinson
|
|
| Post Production Coordinator |
Carolyne McLean
Amanda Powell
|
|
| Publicist |
Libby Carew
|
|
| Directing | Director |
Joseph Sargent
|
| Second Assistant Director |
Karl Irvine
|
|
| Script Supervisor |
Mary Canty
|
|
| First Assistant Director |
Felix Gray
|
|
| Crew | Stunts |
Kym Kristalie
Kristyn Butcher
C.J. Lusby
David Stinson
Sue Parker
Olly Jasen
Barry Thomson
|
| Stunt Coordinator |
Ken Quinn
Randy Butcher
|
|
| Post Production Supervisor |
Peter McCubbin
Julie Lawrence
|
|
| Special Effects Coordinator |
John LaForet
|
|
| Score Engineer |
Michael Banton-Jones
|
|
| Sound | Original Music Composer |
Jonathan Goldsmith
|
| Supervising Sound Editor |
David McCallum
|
|
| Sound Re-Recording Mixer |
Lou Solakofski
Martin Lee
|
|
| Supervising Dialogue Editor |
Janice Ierulli
|
|
| Dialogue Editor |
Garrett Kerr
Fred Brennan
Ronayne Higginson
|
|
| Orchestrator |
Jim McGrath
Dan Parr
|
|
| Conductor |
Jim McGrath
|
|
| ADR Editor |
Barry Gilmore
Angie Pajek
|
|
| Music Editor |
Jeff Wolpert
Edward Zaski
|
|
| Sound Effects Editor |
Robert Warchol
|
|
| Foley Artist |
Donna Powell
Marina Adam
|
|
| Boom Operator |
Brian Whitty
|
|
| Sound Recordist |
Brian Newby
|
|
| Camera | Director of Photography |
Pierre Gill
|
| "B" Camera Operator |
Colin Hoult
|
|
| Camera Operator |
Daniel Sauvé
|
|
| First Assistant "B" Camera |
Brent Robinson
|
|
| Still Photographer |
Ben Mark Holdzberg
Marni Grossman
|
|
| First Assistant Camera |
Andrew Macklin
|
|
| Key Grip |
Thomas O'Reilly
|
|
| Best Boy Grip |
Aaron Kazmer
Thomas Bate
Michael Russell
|
|
| Editing | Editor |
Debra Karen
|
| Colorist |
Ross Cole
|
|
| Online Editor |
Will Hearn
|
|
| Writing | Writer |
Maria Nation
|
| Art | First Assistant Art Direction |
Aidan Leroux
Sean McLoughlin
|
| Property Master |
Craig Williams
|
|
| Construction Manager |
Ron Lightfoot
|
|
| Set Decoration |
Michael Mullins
|
|
| Production Design |
Nancey Pankiw
|
|
| Art Direction |
Cameron Porteous
|
|
| Supervising Art Director |
Dean A. O'Dell
|
|
| Painter |
Jude Britton
|
|
| Head Carpenter |
Sloan Meyer
Grant Rowland
|
|
| Visual Effects | Visual Effects Supervisor |
Noel Hooper
|
| Visual Effects Producer |
Gerry Legros
|
|
| Costume & Make-Up | Makeup Artist |
Marika Latorcai
|
| Costume Design |
Martha Mann
|
|
| Assistant Costume Designer |
Victoria Dobson
|
|
| Key Hair Stylist |
Dawn E. Rivard
|
|
| Wardrobe Coordinator |
Anna Dal Farra
|
|
| Hairstylist |
Ales Kocian
|
|
| Lighting | Gaffer |
Dennis Kane
|
| Department | Role | Name |
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