The Matrix
(1999) Welcome to the Real World. | Released
Ratings
73%
8.2
8.7
87%
Financials
Revenue: $463,517,383
Budget: $63,000,000
Profit: + $400,517,383
Movie Details
Tag Line: Welcome to the Real World.
Status: Released
Average Rating: 8
Release Date: Mar 30, 1999
Rating: R
Run Time: 2h 16m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Village Roadshow Pictures , Groucho II Film Partnership , Silver Pictures , Warner Bros. Pictures
Genres
Keywords
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Synopsis
Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Barrie M. Osborne
Bruce Berman
Erwin Stoff
Andrew Mason
Lilly Wachowski
Lana Wachowski
|
| Producer |
Joel Silver
|
|
| Casting |
Mali Finn
Shauna Wolifson
|
|
| Co-Producer |
Dan Cracchiolo
|
|
| Associate Producer |
Richard Mirisch
Carol Hughes
|
|
| Unit Production Manager |
Carol Hughes
|
|
| Publicist |
Fiona Searson
|
|
| Location Manager |
Peter Lawless
|
|
| Assistant Unit Manager |
Grayden Le Breton
|
|
| Production Coordinator |
Megan Worthy
|
|
| Production Accountant |
Marge Rowland
|
|
| Crew | Stunts |
Todd Bryant
Ray Anthony
Scott McLean
Richard Boué
Chris Mitchell
Warwick Young
Steve Morris
Tony Lynch
Johnny Hallyday
Harry Dakanalis
Alex Kuzelicki
Brett Praed
Brian Ellison
Greg Blandy
Dar Davies
Phil Meacham
Mick Van Moorsel
Marijke Rikki van Gyen
Lou Horvath
Bernadette Van Gyen
Brit Sooby
Sotiri Sotiropoulos
Nigel King
|
| Stunt Coordinator |
Glenn Boswell
|
|
| Stunt Double |
Chad Stahelski
Nash Edgerton
Shea Adams
Nigel Harbach
Annette van Moorsel
Darko Tuscan
Gillian Statham
Bob Bowles
|
|
| Fight Choreographer |
Yuen Woo-ping
|
|
| Scenic Artist |
Peter Collias
|
|
| Special Effects |
Thomas Van Koeverden
Lloyd Finnemore
Rodney Burke
Paul Gorrie
Walter Van Veenendaal
David Young
Lou Stefanel
Pauline Grebert
Arran Gordon
Reece Robinson
Ray Fowler
David Pride
|
|
| Visual Effects Editor |
Kate Crossley
|
|
| Armorer |
John Bowring
|
|
| Special Effects Coordinator |
Robina Osbourne
|
|
| Dialect Coach |
Suzanne Celeste
|
|
| Editing | Editor |
Zach Staenberg
|
| Assistant Editor |
Tom Costain
Basia Ozerski
John Lee
Jenny Hicks
|
|
| Color Timer |
David Orr
|
|
| First Assistant Editor |
Peter Skarratt
Catherine Chase
Noelleen Westcombe
|
|
| Negative Cutter |
Mo Henry
|
|
| Sound | Original Music Composer |
Don Davis
|
| Sound Designer |
Dane A. Davis
|
|
| Supervising Sound Editor |
Dane A. Davis
|
|
| Music Editor |
Zigmund Gron
Lori L. Eschler
|
|
| Sound Effects Editor |
David Grimaldi
Julia Evershade
Eric Lindemann
|
|
| Assistant Sound Editor |
Frank Long
David McRell
Barbara Delpuech
|
|
| Dialogue Editor |
Charles W. Ritter
Susan Dudeck
|
|
| Foley Artist |
John Roesch
Hilda Hodges
|
|
| Sound Re-Recording Mixer |
David E. Campbell
Gregg Rudloff
John T. Reitz
|
|
| Foley Mixer |
Carolyn Tapp
Mary Jo Lang
|
|
| First Assistant Sound Editor |
Nancy Barker
|
|
| Foley Editor |
Valerie Davidson
|
|
| Sound Recordist |
David Lee
|
|
| Boom Operator |
Jack Friedman
Gerry Nucifora
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Musician |
David Shamban
|
|
| Costume & Make-Up | Costume Assistant |
Michael Wilkinson
|
| Costume Design |
Kym Barrett
|
|
| Hairstylist |
Cheryl Williams
|
|
| Key Makeup Artist |
Nikki Gooley
|
|
| Makeup Artist |
Deborah Taylor
|
|
| Costume Supervisor |
Lyn Askew
|
|
| Costumer |
Andrea Hood
|
|
| Art | Set Designer |
Deborah Riley
Jacinta Leong
Sarah Light
Judith Harvey
Godric Cole
Andrew Powell
|
| Production Design |
Owen Paterson
|
|
| Art Direction |
Hugh Bateup
Michelle McGahey
|
|
| Set Decoration |
Lisa Brennan
Tim Ferrier
Marta McElroy
|
|
| Assistant Art Director |
Jules Cook
Fiona Scott
Tony Williams
|
|
| Property Master |
Lon Lucini
|
|
| Art Department Coordinator |
Trish Foreman
|
|
| Standby Painter |
Jon Stiles
Tony Piliotis
|
|
| Props |
Fletcher Moules
|
|
| Camera | Director of Photography |
Bill Pope
|
| Second Unit Director of Photography |
Ross Emery
|
|
| Still Photographer |
Jasin Boland
|
|
| Camera Operator |
Robert Agganis
David Williamson
|
|
| Steadicam Operator |
Robert Agganis
|
|
| First Assistant "A" Camera |
David Elmes
|
|
| Dolly Grip |
Mal Booth
Michael Vivian
Aron Walker
Greg King
|
|
| Key Grip |
Jay Munro
Ray Brown
|
|
| Second Assistant Camera |
Adrien Seffrin
|
|
| Directing | Director |
Lilly Wachowski
Lana Wachowski
|
| First Assistant Director |
James McTeigue
Colin Fletcher
|
|
| Script Supervisor |
Victoria Sullivan
|
|
| Second Assistant Director |
Tom Read
Noni Roy
|
|
| Third Assistant Director |
Paul Sullivan
|
|
| Second Unit First Assistant Director |
Toby Pease
|
|
| Writing | Writer |
Lilly Wachowski
Lana Wachowski
|
| Visual Effects | Special Effects Supervisor |
Steve Courtley
Brian Cox
|
| Visual Effects Supervisor |
John Gaeta
|
|
| Lighting | Rigging Gaffer |
Stephen Johnstone
Miles Jones
Colin Wyatt
Paul Cumming
Paul Moyes
Craig Bryant
Ken Talbot
Chris Loveday
|
| Gaffer |
Reg Garside
|
|
| Rigging Grip |
David Hird
|
|
| Department | Role | Name |
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