The Thomas Crown Affair
(1999) How do you get the man who has everything? | Released
Ratings
72%
6.7
6.8
69%
Financials
Revenue: $124,300,000
Budget: $48,000,000
Profit: + $76,300,000
Movie Details
Tag Line: How do you get the man who has everything?
Status: Released
Average Rating: 7
Release Date: Aug 6, 1999
Rating: 1999-08-06
Run Time: 1h 53m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: United Artists , Irish Dreamtime
Genres
Keywords
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Synopsis
A very rich and successful playboy amuses himself by stealing artwork, but may have met his match in a seductive detective.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
John McTiernan
|
| Second Unit Director |
Mischa Hausserman
John E. Sullivan
|
|
| Additional Second Assistant Director |
Neil Lewis
|
|
| First Assistant Director |
Bruce Moriarty
|
|
| Second Second Assistant Director |
Michael Pitt
|
|
| Second Assistant Director |
Peter Soldo
|
|
| Second Unit First Assistant Director |
Jonathan Watson
|
|
| Script Supervisor |
Cornelia 'Nini' Rogan
Mikayla Abromowitz
|
|
| Sound | Original Music Composer |
Bill Conti
|
| Dialogue Editor |
David A. Arnold
Karen Spangenberg
|
|
| Foley Mixer |
James Ashwill
|
|
| ADR Recordist |
Rick Canelli
|
|
| Sound Recordist |
Matt Colleran
Sean England
|
|
| Foley Artist |
John T. Cucci
Dan O'Connell
|
|
| Assistant Sound Editor |
Marc Deschaine
Marva Fucci
Chris Ingram
Melissa Lytle
Del Spiva
|
|
| Supervising Dialogue Editor |
Teri E. Dorman
|
|
| Supervising ADR Editor |
Juno J. Ellis
|
|
| Foley Editor |
Matthew Harrison
Jim Likowski
|
|
| ADR Editor |
Denise Horta
Stephen Janisz
|
|
| Sound Editor |
Suhail Kafity
F. Hudson Miller
R.J. Palmer
Gary Wright
|
|
| Foley Recordist |
Linda Lew
|
|
| Foley Supervisor |
Victoria Martin
|
|
| Sound Re-Recording Mixer |
Michael Minkler
Frank A. Montaño
|
|
| Production Sound Mixer |
Tom Nelson
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Boom Operator |
Daniel Rosenblum
|
|
| Supervising Sound Editor |
George Watters II
|
|
| Dolby Consultant |
James Wright
|
|
| Music Producer |
Jim Dunbar
Ashley Irwin
|
|
| Orchestrator |
Jack Eskew
|
|
| Music Editor |
Chris McGeary
Tommy Lockett
|
|
| Music Consultant |
Randall Poster
|
|
| Scoring Mixer |
Dan Wallin
|
|
| Musician |
Gloria Cheng
Norman Ludwin
Sebastian Toettcher
Louise Di Tullio
|
|
| Conductor |
Bill Conti
|
|
| Art | Art Direction |
Dennis Bradford
|
| Production Design |
Bruno Rubeo
|
|
| Set Decoration |
Leslie E. Rollins
|
|
| Leadman |
Ray Fisher
|
|
| Standby Art Director |
Teresa Carriker-Thayer
|
|
| Shop Electric |
Phil Devonshire
|
|
| Assistant Art Director |
Jay Durrwachter
Paul D. Kelly
|
|
| Construction Grip |
Ron Engler
Edward R. Geller
|
|
| Set Dresser |
Ray Fisher
Eric Lewin
|
|
| Art Department Coordinator |
Julia G. Hickman
|
|
| Construction Foreman |
Steven E. Lawler
|
|
| Assistant Set Decoration |
Christine Moosher
|
|
| Construction Coordinator |
Ken Nelson
|
|
| Property Master |
Michael Saccio
|
|
| Painter |
Cheryl Stewart
|
|
| Graphic Designer |
Joan Winters
|
|
| Location Scout |
Jonathan Roumie
|
|
| Title Designer |
Garson Yu
|
|
| Writing | Screenplay |
Leslie Dixon
Kurt Wimmer
|
| Original Story |
Alan Trustman
|
|
| Camera | Director of Photography |
Tom Priestley Jr.
|
| Second Assistant Camera |
Deborah Brozina
Stanley Fernandez Jr.
Zsolt Kadar
|
|
| Grip |
Matt Chubet
David Larue
Peter Letzelter-Smith
|
|
| First Assistant Camera |
Alan R. Disler
|
|
| Best Boy Grip |
Christopher Donohue
William M. Weberg
|
|
| Key Grip |
James W. Finnerty
Tom Kerwick
|
|
| Epk Camera Operator |
Paul Gavin
|
|
| Camera Operator |
Ron Goodman
Phil Oetiker
John Sosenko
|
|
| Dolly Grip |
William Jones
|
|
| Jimmy Jib Operator |
Victor Mathews
|
|
| Assistant Camera |
Robert Paone
|
|
| Steadicam Operator |
Kyle Rudolph
|
|
| Second Unit Director of Photography |
John E. Sullivan
|
|
| "B" Camera Operator |
Phillip Todd
|
|
| Still Photographer |
Barry Wetcher
|
|
| Production | Producer |
Pierce Brosnan
Beau St. Clair
|
| Casting |
Patricia McCorkle
|
|
| Production Assistant |
Mohamed Khan
Paul Cabbad
Jesse Nye
|
|
| Associate Producer |
Bruce Moriarty
|
|
| Co-Producer |
Roger Paradiso
|
|
| Executive Producer |
Michael Tadross
|
|
| Production Supervisor |
Eddy Collyns
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Casting Assistant |
John Mabry
Sarah Spearing
|
|
| Location Assistant |
Damian Martin
Marce Sterner
|
|
| Location Coordinator |
Jeff Stolow
|
|
| Publicist |
Eric Kops
|
|
| Assistant Location Manager |
Paul Kramer
|
|
| Assistant Production Coordinator |
M.J. Magbanua
|
|
| Assistant Accountant |
Tomoko Yamamoto
|
|
| Editing | Editor |
John Wright
|
| Assistant Editor |
Melissa J.T. Carter
Mark Livolsi
Kyle Ann Stokes
Todd Zongker
|
|
| First Assistant Editor |
Barbara Dunning
|
|
| Editorial Production Assistant |
Eric M. Eskenazi
|
|
| Color Timer |
Phil Hetos
|
|
| Dailies Operator |
Joe Violante
|
|
| Costume & Make-Up | Costume Design |
Kate Harrington
Mark Zunino
|
| Hairstylist |
Enzo Angileri
Romaine Greene
|
|
| Makeup Artist |
Lynn Campbell
Jane Choi
Shane Paish
Michele Paris
Rosanne Puchal
Bron Roylance
|
|
| Assistant Makeup Artist |
Scott Hersh
|
|
| Assistant Costume Designer |
Susan Carrano
|
|
| Key Costumer |
Marta Font
|
|
| Costume Assistant |
Chris Ann Pappas
|
|
| Costumer |
Monica Russell
|
|
| Wardrobe Supervisor |
Hartsell Taylor
|
|
| Crew | Stunt Double |
Cheryl Wheeler Duncan
John Copeman
Jonathon Prandi
|
| Stunts |
John Cenatiempo
Chris Cenatiempo
John Copeman
Frank Ferrara Jr.
Ralph Ferrara
Tomás F. Gonzalez
Doris F. Grove
Tony Guida
Andrew Phillips
Keith Siglinger
Peter Bucossi
Adam Vignola
|
|
| Scenic Artist |
Joseph Garzero
Victor Morales
John Ralbovsky
Mick Rossman
|
|
| Propmaker |
Randal R. Groves
|
|
| Carpenter |
John F. McHugh
Peter Wilcox
Daniel Geary
Steve A. Stephenson
|
|
| Cableman |
Tommy Louie
|
|
| Special Effects Technician |
Harold McConnell Jr.
Allen Stillman
|
|
| Executive Visual Effects Producer |
Ray Scalice
|
|
| Stunt Coordinator |
Frank Ferrara
|
|
| Stunt Driver |
Steve Bilich
|
|
| Video Assist Operator |
Darren Ryan
|
|
| Post Production Assistant |
Jon Patrick Ruff
|
|
| Additional Music |
Jamshied Sharifi
|
|
| Driver |
David Conelli
Mark Dolce
|
|
| Choreographer |
John Carrafa
|
|
| Pilot |
Al Cerullo
Cliff Fleming
|
|
| Stand In |
Stefan Gesek
|
|
| Set Production Assistant |
Deanna Leslie
Les McDonough
|
|
| Technical Advisor |
Eva Norvind
|
|
| Visual Effects | Digital Compositor |
Jamie Clay
Jim Gorman
|
| VFX Artist |
Tyler Foell
Reid Paul
|
|
| Visual Effects |
John E. Sullivan
Juan Carlos Vargas
|
|
| 24 Frame Playback |
Igor Srubshchik
|
|
| Lighting | Electrician |
Steve Comesky
Jon Delgado
Assia Fratz
Charlie Grubbs
John Milcetic
Brian Stocklin
|
| Gaffer |
Gene Engels
Lowell Schulman
|
|
| Best Boy Electric |
William Hines
Joel Tishcoff
|
|
| Key Rigging Grip |
Ronald Plant
|
|
| Rigging Grip |
Patrick Shelby
|
|
| Department | Role | Name |
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