The Woodsman
(2004) Nothing can undo the past. | Released
Ratings
72%
6.9
7.2
88%
Financials
Revenue: $4,700,000
Budget: $4,000,000
Profit: + $700,000
Movie Details
Tag Line: Nothing can undo the past.
Status: Released
Average Rating: 7
Release Date: Dec 24, 2004
Rating: 2004-12-24
Run Time: 1h 27m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Lee Daniels Entertainment , Dash Films
Sources:
Genres
Keywords
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Synopsis
After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he's a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Nicole Kassell
|
| Script Supervisor |
Anthony Pettine
|
|
| First Assistant Director |
Thomas Fatone
|
|
| Second Assistant Director |
Patrick D. Gibbons
|
|
| Writing | Theatre Play |
Steven Fechter
|
| Screenplay |
Steven Fechter
Nicole Kassell
|
|
| Production | Executive Producer |
Kevin Bacon
Damon Dash
Brook Lenfest
Dawn Lenfest
|
| Producer |
Lee Daniels
|
|
| Casting |
Kerry Barden
Billy Hopkins
Suzanne Smith Crowley
Mark Bennett
|
|
| Associate Producer |
Simone Sheffield
Candice Williams
|
|
| Co-Executive Producer |
Marvet Britto
|
|
| Co-Producer |
Lisa Cortés
Valerie Hoffman
David Robinson
|
|
| Production Supervisor |
Missy Moyer
|
|
| Unit Production Manager |
Debra J. Olchick
|
|
| Production Accountant |
Amy Comstock
|
|
| First Assistant Accountant |
Steven Holtzman
|
|
| Payroll Accountant |
Steven Holtzman
|
|
| Sound | Original Music Composer |
Nathan Larson
|
| Music Supervisor |
Linda Cohen
|
|
| Music Editor |
Brian A. Kates
|
|
| Sound Mixer |
Thomas Varga
|
|
| Boom Operator |
Karl Wasserman
Chris Kellett
Michael Primmer
Aaron Rudelson
Brian Jordan
|
|
| Supervising Sound Editor |
Joe Caterini
|
|
| Supervising Dialogue Editor |
Will Ralston
|
|
| Foley Editor |
Matthew Haasch
|
|
| Sound Effects Editor |
Igor Nikolic
|
|
| Foley Artist |
Jay Peck
|
|
| Dolby Consultant |
Paul Sacco
|
|
| Sound Re-Recording Mixer |
Joe Caterini
|
|
| Camera | Director of Photography |
Xavier Grobet
|
| Still Photographer |
Adger W. Cowans
|
|
| Key Grip |
Chris Beattie
|
|
| Best Boy Grip |
Kimberly Rial
|
|
| Dolly Grip |
Mark Catania
Kevin Hackenberg
|
|
| Editing | Editor |
Lisa Fruchtman
Brian A. Kates
|
| Negative Cutter |
Noëlle Penraat
|
|
| Color Timer |
Fred Heid
|
|
| Art | Production Design |
Stephen Beatrice
|
| Set Decoration |
Christine Wick
|
|
| Leadman |
Christine Sysko
|
|
| Property Master |
Sharon Potts
|
|
| Assistant Property Master |
Tom West
|
|
| Key Construction Grip |
Alan J. Mehlbrech
|
|
| Costume & Make-Up | Costume Design |
Frank L. Fleming
|
| Costume Supervisor |
Teresa Binder Westby
Lisa R. Frucht
|
|
| Key Hair Stylist |
Diane Dixon
|
|
| Seamstress |
Kara Morasco
|
|
| Lighting | Gaffer |
Andrew Reed Conner
|
| Best Boy Electric |
Richard Asbury
|
|
| Rigging Grip |
Timothy Weston
|
|
| Crew | Stunt Coordinator |
Dakota Anderson
|
| Stunts |
Norman Douglass
|
|
| Transportation Coordinator |
William M. Hamilton Jr
|
|
| Unit Publicist |
Jeremy Walker
|
|
| Post Production Supervisor |
Michael Mezaros
Kelley Cribben
|
|
| Department | Role | Name |