Thelma & Louise
(1991) Somebody said get a life...so they did. | Released
Ratings
88%
7.6
7.4
84%
Financials
Revenue: $45,361,000
Budget: $16,000,000
Profit: + $29,361,000
Movie Details
Tag Line: Somebody said get a life...so they did.
Status: Released
Average Rating: 8
Release Date: May 24, 1991
Rating: 1991-05-24
Run Time: 2h 10m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Metro-Goldwyn-Mayer , Pathé Entertainment , Star Partners III Ltd.
Genres
Keywords
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Synopsis
Whilst on a short weekend getaway, Louise shoots a man who had tried to rape Thelma. Due to the incriminating circumstances, they make a run for it and thus a cross country chase ensues for the two fugitives. Along the way, both women rediscover the strength of their friendship and surprising aspects of their personalities and self-strengths in the trying times.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Thom Noble
|
| Costume & Make-Up | Costume Design |
Elizabeth McBride
|
| Hairstylist |
Leslie Ann Anderson
Anthony Cortino
Karl Wesson
|
|
| Makeup Artist |
Bonita DeHaven
Richard Arrington
|
|
| Key Costumer |
Taneia Lednicky
|
|
| Set Costumer |
Nisa Kellner
Janet Powell
|
|
| Production | Producer |
Mimi Polk Gitlin
Ridley Scott
|
| Casting |
Louis DiGiaimo
|
|
| Co-Producer |
Dean O'Brien
Callie Khouri
|
|
| Unit Production Manager |
Mel Dellar
Dean O'Brien
|
|
| Production Coordinator |
Christine Baer
|
|
| Casting Associate |
Ira Belgrade
|
|
| Directing | Director |
Ridley Scott
|
| Script Supervisor |
Luca Kouimelis
|
|
| First Assistant Director |
Steve Danton
|
|
| Second Unit Director |
Bobby Bass
|
|
| Second Assistant Director |
B. Scott Senechal
|
|
| Camera | Director of Photography |
Adrian Biddle
|
| Still Photographer |
Roland Neveu
|
|
| Dolly Grip |
Brad Rea
R. Scott Judge
|
|
| Camera Operator |
Alexander Witt
Michael Scott
|
|
| Aerial Director of Photography |
David B. Nowell
|
|
| Key Grip |
Bob Rose
|
|
| Grip |
Erich O. Rose
Bob Miyamoto
Kevin Kennedy
David Canestro
|
|
| Art | Production Design |
Norris Spencer
|
| Set Decoration |
Anne H. Ahrens
|
|
| Art Direction |
Lisa Dean
|
|
| Property Master |
Vic Petrotta Jr.
|
|
| Greensman |
Robert Butch Samarzich
|
|
| Construction Foreman |
Scott Snyder
Jim Olson
Roger M. Janson
Mark Vitale
|
|
| Leadman |
Kenneth Turek
|
|
| Set Designer |
Alan S. Kaye
|
|
| Painter |
Gary Clark
|
|
| Title Designer |
Anthony Goldschmidt
|
|
| Construction Coordinator |
Richard J. Bayard
|
|
| Assistant Art Director |
Michael Hirabayashi
|
|
| Writing | Screenplay |
Callie Khouri
|
| Sound | Original Music Composer |
Hans Zimmer
|
| Music Supervisor |
Kathy Nelson
|
|
| Music Editor |
Laura Perlman
|
|
| Supervising Sound Editor |
Jim Shields
|
|
| ADR Editor |
John Poyner
|
|
| Boom Operator |
Timothy P. Salmon
|
|
| Sound Effects Editor |
Bob Risk
|
|
| Production Sound Mixer |
Keith A. Wester
|
|
| Sound Re-Recording Mixer |
Graham V. Hartstone
|
|
| Crew | Stunt Coordinator |
Bobby Bass
|
| Special Effects Coordinator |
Stan Parks
|
|
| Dialect Coach |
Tim Monich
|
|
| Aerial Coordinator |
Robert 'Bobby Z' Zajonc
|
|
| Pilot |
Don Hildebrand
|
|
| Stunts |
Mary Peters
Dick Ziker
Ronnie Rondell Jr.
Gregory J. Barnett
John C. Meier
Buddy Joe Hooker
Tony Epper
David Burton
Kenny Endoso
Terry Collis
Steve Boyum
Bob Dewitt
Billy Hank Hooker
Norman Howell
Anne Melville
Bennie Moore
Billy D. Lucas
Mike Ryan
David Webster
|
|
| Stunt Double |
Diane Kay Grant
Glory Fioramonti
Marguerite Happy
|
|
| Stunt Driver |
Tommy J. Huff
|
|
| Special Effects Technician |
Martin J. Gibbons
Tim Moran
Kevin Quibell
Paul Stewart
|
|
| Lighting | Best Boy Electrician |
Paul Amorelli
|
| Department | Role | Name |