Ratings
52%
6.5
6.4
42%
Financials
Revenue: $251,212,670
Budget: $18,000,000
Profit: + $233,212,670
Movie Details
Tag Line: One man. One masterpiece. One very big mistake.
Status: Released
Average Rating: 7
Release Date: Jul 3, 1997
Rating: 1997-11-06
Run Time: 1h 29m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Working Title Films , Tiger Aspect , PolyGram Filmed Entertainment
Sources:
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Richard Curtis
Robin Driscoll
|
| Script Editor |
Emma Freud
|
|
| Production | Producer |
Peter Bennett-Jones
Tim Bevan
Eric Fellner
|
| Casting |
Ronnie Yeskel
|
|
| Co-Producer |
Rebecca O'Brien
|
|
| Executive Producer |
Rowan Atkinson
Richard Curtis
|
|
| Casting Associate |
Richard Hicks
|
|
| Location Manager |
Liz Matthews
|
|
| Production Accountant |
Julianna Arenson
|
|
| Production Coordinator |
Jo McIllece
|
|
| Production Manager |
Cydney Bernard
|
|
| Assistant Location Manager |
Brad Bell
|
|
| Assistant Accountant |
Louise Seaman
|
|
| Assistant Production Coordinator |
Elizabeth Joan Hooper
|
|
| Extras Casting |
Rich King
|
|
| First Assistant Accountant |
Kurt Greufe
|
|
| Production Assistant |
Kauai Collins
|
|
| Sound | Original Music Composer |
Howard Goodall
|
| Dolby Consultant |
Tim Partridge
|
|
| Dialogue Editor |
Nick Lowe
|
|
| Boom Operator |
Kenneth C. Mantlo
|
|
| Foley Editor |
Eddy Joseph
|
|
| Production Sound Mixer |
Peter Glossop
|
|
| Sound Mixer |
Robert J. Anderson Jr.
|
|
| Supervising Sound Editor |
Matt Grimes
|
|
| ADR Editor |
Nigel Mills
|
|
| Camera | Director of Photography |
Francis Kenny
|
| Grip |
Gregory Romero
|
|
| Key Grip |
Jeff Case
|
|
| Still Photographer |
Suzanne Hanover
|
|
| Dolly Grip |
Joe Kraft
|
|
| Second Assistant Camera |
Thomas Cherry
|
|
| Editing | Editor |
Chris Blunden
|
| First Assistant Editor |
Lynne Warr
|
|
| Assistant Editor |
Heidi Freeman
|
|
| Negative Cutter |
Steve Farman
|
|
| Art | Production Design |
Peter S. Larkin
|
| Art Direction |
Kevin Constant
|
|
| Set Decoration |
Bill Gregory
|
|
| Art Department Coordinator |
Abigail Sheiner
|
|
| Leadman |
Craig Gadsby
|
|
| Set Designer |
Gregory S. Hooper
|
|
| Property Master |
Maureen Farley
|
|
| Assistant Property Master |
Kim Larsen-Santini
|
|
| Special Props |
Jim Beinke
|
|
| Costume & Make-Up | Costume Design |
Hope Hanafin
|
| Makeup Artist |
Brian McManus
Emjay Olson
|
|
| Makeup Designer |
Sue Sian
|
|
| Set Dressing Artist |
Tony Guastella
|
|
| Costumer |
Mitzi Haralson
|
|
| Wardrobe Assistant |
Marcus Love-McGuirk
|
|
| Wardrobe Supervisor |
Charlotte Couchman
|
|
| Crew | Stunts |
Julie Adair
Denise Lynne Roberts
Chad Stahelski
Gene LeBell
Tony Brubaker
Chris Palermo
|
| Stunt Coordinator |
Walter Scott
|
|
| Driver |
Loren Bess
|
|
| Makeup Effects |
Tony Gardner
|
|
| Post Production Supervisor |
Deborah Harding
|
|
| Propmaker |
Tony Chavez
|
|
| Set Medic |
Lance Mancuso
|
|
| Stand In |
Richard Bellos
|
|
| Transportation Coordinator |
Shane Greedy
|
|
| Stunt Double |
Carl Paoli
|
|
| Medical Consultant |
Scott Aguilar
|
|
| Video Assist Operator |
Michael McCormack
|
|
| Directing | Director |
Mel Smith
|
| First Assistant Director |
Trey Batchelor
|
|
| Script Supervisor |
Cori Glazer
|
|
| Assistant Director |
Michael Zimbrich
|
|
| Second Assistant Director |
Todd Y. Murata
|
|
| Second Unit Director |
John Greaves
|
|
| Lighting | Best Boy Electric |
Roy A. McLeish
|
| Electrician |
Shawn Duchscherer
|
|
| Gaffer |
Ronald W. McLeish
|
|
| Assistant Chief Lighting Technician |
Eric Parker
|
|
| Department | Role | Name |
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