Ratings
Financials
Revenue: $262,500,000
Budget: $40,000,000
Profit: + $222,500,000
Movie Details
Tag Line: Same Bridget. Brand new diary.
Status: Released
Average Rating: 6
Release Date: Nov 10, 2004
Rating: 2004-11-19
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: France , Ireland , United Kingdom , United States of America
Production Companies: Universal Pictures , StudioCanal , Miramax , Working Title Films , Little Bird
Genres
Keywords
People Rated This
Watch Bridget Jones: The Edge of Reason
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Synopsis
Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he's a conservative voter, she has to deal with a new boss, a strange contractor and the worst vacation of her life.
Crew
Department | Role | Name |
---|---|---|
Editing | Editor |
Greg Hayden
|
First Assistant Editor |
Tania Clarke
|
|
Digital Intermediate Producer |
Claire McGrane
|
|
Colorist |
Adam Inglis
|
|
Negative Cutter |
Jason Wheeler
|
|
Production | Producer |
Oswald Wolkenstein
Eric Fellner
Jonathan Cavendish
Tim Bevan
|
Line Producer |
Klaus Jüptner
Bernard Bellew
Cesare Landricina
|
|
Executive Producer |
Liza Chasin
Debra Hayward
|
|
Casting |
Michelle Guish
|
|
Production Accountant |
Wendy Ellerker
|
|
Executive In Charge Of Production |
Michelle Wright
|
|
Production Supervisor |
Santa Pestonji
|
|
Casting Associate |
Gaby Kester
|
|
Production Coordinator |
Maresa Breuer
|
|
Production Manager |
Beatrice Arweiler
|
|
Location Manager |
Crispin Buxton
|
|
Accountant |
Fritz Gruner
|
|
Assistant Unit Manager |
Ian Ford
|
|
Production Assistant |
Lara Davis
|
|
Assistant Accountant |
Dan Hillsdon
|
|
Production Runner |
Nicole Devcic
|
|
Travel Coordinator |
Lesley Keane
|
|
Assistant Production Coordinator |
Brigitte Dolibasic
|
|
ADR Voice Casting |
Abigail Barbier
|
|
Location Assistant |
Anthony Jacobs
|
|
Assistant Location Manager |
Marc Brugger
|
|
Production Executive |
Jan Hogevold
|
|
Extras Casting Assistant |
Jarenrith Srisuwan
|
|
Post Production Coordinator |
Lucie Graves
|
|
Extras Casting |
Chuck Douglas
|
|
Writing | Novel |
Helen Fielding
|
Screenplay |
Helen Fielding
Andrew Davies
Richard Curtis
Adam Brooks
|
|
Directing | Director |
Beeban Kidron
|
First Assistant Director |
Filippo Fassetta
|
|
Additional Third Assistant Director |
Amy Coop
|
|
Crowd Assistant Director |
Candy Marlowe
|
|
Third Assistant Director |
Susan Drennan
|
|
Continuity |
Karen Fryer
|
|
Sound | Original Music Composer |
Harry Gregson-Williams
Stuart Roslyn
|
Sound Mixer |
Simon Hayes
|
|
Sound Effects Editor |
Ben Barker
|
|
First Assistant Sound Editor |
Andrew Wilkinson
|
|
Dolby Consultant |
Mattew Desborough
|
|
Orchestrator |
Kirk Bennett
|
|
Supervising Sound Editor |
Glenn Freemantle
|
|
Music Supervisor |
Nick Angel
|
|
Foley Artist |
Hugo Adams
Jack Stew
Diane Greaves
|
|
ADR Editor |
Lee Herrick
|
|
Dialogue Editor |
Lee Herrick
|
|
ADR Mixer |
Ted Swanscott
Jamie Roden
|
|
Foley Mixer |
Kevin Tayler
|
|
Sound Recordist |
Michael Legum
|
|
Music Consultant |
Kirsten Lane
|
|
Assistant Dialogue Editor |
Katy Wood
|
|
Music Coordinator |
Alexandra Hill
|
|
ADR Recordist |
Nick Foley
|
|
Music Editor |
Michael Price
|
|
Camera | Director of Photography |
Adrian Biddle
|
First Assistant Camera |
Sean Evans
|
|
Grip |
John Flemming
|
|
Helicopter Camera |
Marc Wolff
|
|
Steadicam Operator |
Alf Tramontin
|
|
Still Photographer |
Laurie Sparham
|
|
Libra Head Technician |
Tim Dean
|
|
Additional Grip |
Paul Hatchman
|
|
Focus Puller |
Steve Burgess
|
|
Second Assistant Camera |
Marc Atherfold
|
|
Best Boy Grip |
'Yuk' Sanam Srikum
|
|
Camera Trainee |
Amy Hall
|
|
Clapper Loader |
Joe Wright
|
|
Art | Standby Painter |
Tom Roberts
|
Painter |
Mark Dowling
|
|
Supervising Art Director |
David Warren
|
|
Set Decoration |
Anna Lynch-Robinson
|
|
Construction Foreman |
Supawat Jeanpetch
|
|
Leadman |
Pol Muangnum
|
|
Production Design |
Gemma Jackson
|
|
Art Department Coordinator |
Sudkamol Tangtham
|
|
Art Direction |
Paul Inglis
|
|
Greensman |
Ian Whiteford
|
|
Art Department Assistant |
Sarah Whittle
|
|
Property Master |
Barry Gibbs
|
|
Dressing Prop |
Alex Boswell
|
|
Draughtsman |
James Foster
|
|
Graphic Designer |
Carol Kupisz
|
|
Storyboard Artist |
Tony Chance
|
|
Construction Buyer |
Zoe Robertson
|
|
Supervising Carpenter |
Peter Brown
|
|
Title Designer |
Matt Curtis
|
|
Costume & Make-Up | Hair Designer |
Graham Johnston
|
Assistant Costume Designer |
Claire Finlay-Thompson
|
|
Hairstylist |
Carmel Jackson
|
|
Costume Design |
Jany Temime
|
|
Makeup Artist |
Carmel Jackson
|
|
Costume Supervisor |
Annie Crawford
|
|
Hair Assistant |
Thanaporn Ariyaputi
|
|
Wardrobe Master |
Laurent Guinci
|
|
Costume Assistant |
Yvonne Duckett
|
|
Crew | Additional Music |
Stephen Barton
|
Dialect Coach |
Barbara Berkery
|
|
Carpenter |
Peter N. Brown
|
|
Driver |
Paul Brosnan
|
|
Post Production Supervisor |
Jeanette Haley
|
|
Visual Effects Editor |
Andy Hague
|
|
Stunt Coordinator |
Paul Jennings
|
|
Propmaker |
Rohan Harris
|
|
Stand In |
James Linton
|
|
Unit Publicist |
Stacy Mann
|
|
Video Assist Operator |
Theera Boonsri
|
|
Scenic Artist |
Howard Weaver
|
|
Special Effects Technician |
Peter Haran
|
|
Generator Operator |
Ronnie Savory
|
|
Pilot |
Tony Richards
|
|
Floor Runner |
Pattamawan Chaiwattananan
|
|
Lighting | Electrician |
Ray Bateman
|
Best Boy Electric |
Sommay Saengsinchai
|
|
Rigging Gaffer |
Pat Miller
|
|
Gaffer |
Kevin Day
|
|
Visual Effects | Visual Effects Supervisor |
Jody Johnson
|
Special Effects Supervisor |
Stuart Brisdon
|
|
Visual Effects Coordinator |
Claudia Dehmel
|
|
Digital Compositors |
Ciaran Crowley
|
|
Visual Effects Producer |
Hal Couzens
|
|
Matte Painter |
Neil Miller
|
|
Rotoscoping Artist |
Sandra Reis
|
|
CG Artist |
Nicola Brodie
|
|
Department | Role | Name |