Ratings
45%
6.3
6.4
59%
Financials
Revenue: $193,921,372
Budget: $68,000,000
Profit: + $125,921,372
Movie Details
Tag Line: 27,000 nuclear weapons. One is missing.
Status: Released
Average Rating: 6
Release Date: May 31, 2002
Rating: 2002-05-29
Run Time: 2h 04m
Original Language: English
Website: Link
Production Countries: Canada , Germany , United States of America
Production Companies: Paramount Pictures , Mace Neufeld Productions
Sources:
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Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Mace Neufeld
|
| Casting |
Mindy Marin
Larisa Isaeva
Nina Gold
|
|
| Executive Producer |
Tom Clancy
Stratton Leopold
|
|
| Production Accountant |
Russell Steele
|
|
| Unit Production Manager |
Victoria Frodsham
|
|
| Location Manager |
Charley Armstrong
Elza Kephart
Liam Kiernan
|
|
| Production Manager |
Michel Siry
|
|
| Production Coordinator |
Doris Donnenberg
|
|
| Researcher |
Charles-André Bertrand
Jennifer Bydwell
|
|
| Production Supervisor |
David Israel
|
|
| Casting Associate |
Amanda Harding
|
|
| Casting Assistant |
Terri Tracy
Tamara Gillon
|
|
| ADR Voice Casting |
Leigh French
|
|
| Assistant Production Coordinator |
Saundra Diardichuk
|
|
| Local Casting |
Rosina Bucci
|
|
| Payroll Accountant |
Katy Tatian-Genovese
|
|
| Assistant Location Manager |
Kim De Pietro
|
|
| Executive Assistant |
Kathy Day
|
|
| First Assistant Accountant |
Jim Dunlap
|
|
| Production Executive |
Joel Román Mendías
|
|
| Extras Casting |
Jocelyn Parenteau
|
|
| Production Assistant |
Véronique Arcouette
|
|
| Production Secretary |
Michael Alvarado
|
|
| Second Assistant Accountant |
Robert George
|
|
| Sound | Original Music Composer |
Jerry Goldsmith
|
| Sound Engineer |
Carl D. Ware
|
|
| Sound Effects Editor |
Steve Mann
|
|
| Boom Operator |
Anthony M. McCovey
|
|
| Sound Re-Recording Mixer |
Chris Jenkins
|
|
| Sound Designer |
Michael Payne
|
|
| Orchestrator |
David Campbell
|
|
| Sound Mixer |
Melanie Johnson
|
|
| Supervising Sound Editor |
John Leveque
|
|
| Dolby Consultant |
James Wright
|
|
| Songs |
Robbie Kondor
|
|
| Foley Editor |
Scott Curtis
|
|
| Supervising Dialogue Editor |
Kimberly Lowe Voigt
|
|
| Assistant Sound Editor |
Anne Couk
|
|
| Supervising ADR Editor |
Kimberly Lowe Voigt
|
|
| Musician |
Shana Blake Hil
|
|
| ADR Editor |
Zack Davis
|
|
| Music Programmer |
Nick Vidar
|
|
| Supervising Music Editor |
Kenneth Hall
|
|
| Production Sound Mixer |
Patrick Rousseau
Patrick Rousseau
|
|
| Dialogue Editor |
Mark Gordon
|
|
| First Assistant Sound Editor |
Lance Laurienzo
|
|
| Foley Artist |
Robin Harlan
|
|
| Foley Mixer |
Randy Singer
|
|
| ADR Mixer |
Jeff Gomillion
|
|
| ADR Recordist |
Philip Rogers
|
|
| Music Arranger |
Robbie Kondor
|
|
| Conductor |
Jerry Goldsmith
|
|
| Writing | Screenplay |
Paul Attanasio
Daniel Pyne
|
| Novel |
Tom Clancy
|
|
| Editing | Editor |
Neil Travis
|
| Color Timer |
Jim Passon
|
|
| Additional Editing |
Nicolas De Toth
|
|
| Negative Cutter |
Mary Nelson-Duerrstein
|
|
| Colorist |
Donald Freeman
|
|
| Assistant Editor |
Doug Caron
|
|
| Directing | Director |
Phil Alden Robinson
|
| Assistant Director |
Tom Davies
Stéphane Byl
|
|
| Script Supervisor |
Anna Rane
|
|
| Third Assistant Director |
Maxime Bérubé
|
|
| Second Assistant Director |
Richard Oswald
|
|
| First Assistant Director |
David Sardi
|
|
| Second Second Assistant Director |
Brigitte Goulet
|
|
| Additional Third Assistant Director |
Alexandre Bernard
|
|
| Second Unit Director |
Craig Hosking
|
|
| Camera | Director of Photography |
John Lindley
|
| Steadicam Operator |
Lawrence Karman
|
|
| Still Photographer |
Mark Fellman
|
|
| Camera Operator |
Stephen S. Campanelli
|
|
| Camera Technician |
Mark Hryma
|
|
| First Assistant Camera |
Wayne Baker
|
|
| Helicopter Camera |
Julian Brain
|
|
| Key Grip |
Robert B. Baylis
|
|
| Aerial Camera |
Mark R. Leins
|
|
| Grip |
Benoît Alarie
|
|
| Additional Still Photographer |
Jan Thijs
|
|
| Camera Loader |
Dan Barentine
Eric Aubin
|
|
| Dolly Grip |
Alain Masse
|
|
| Additional Photography |
Christopher Woods
|
|
| Assistant Camera |
Giselle Brewton
|
|
| Second Company Grip |
Dean Citroni
|
|
| First Company Grip |
Tom Nichols
|
|
| Second Assistant Camera |
Kenneth Bender
|
|
| Best Boy Grip |
Alain Bisson Doyal
|
|
| Focus Puller |
Philippe Piron
|
|
| Art | Greensman |
David Corral
|
| Art Direction |
Isabelle Guay
Michele Laliberte
Martin Gendron
John DeMeo
|
|
| Production Design |
Jeannine Oppewall
|
|
| Supervising Art Director |
Claude Paré
Andrew Neskoromny
|
|
| Art Department Assistant |
Marie-Hélène Labrecque
|
|
| Art Department Coordinator |
Nicole Martinez-King
|
|
| Leadman |
Shane Reed
|
|
| Production Illustrator |
Jean-Francois Mignault
|
|
| Set Designer |
Daniel R. Jennings
Randall D. Wilkins
|
|
| Sculptor |
Andrew Semple
|
|
| Construction Coordinator |
Alain Brochu
|
|
| Location Scout |
Audrey Brooks
|
|
| Set Decoration |
Cindy Carr
|
|
| Assistant Art Director |
Caroline Alder
|
|
| Set Dresser |
Tim Fassino
|
|
| Assistant Property Master |
Eric Bardin
|
|
| Property Master |
Claire Alary
|
|
| Graphic Designer |
Isabelle Côté
|
|
| Storyboard Artist |
Marc Baird
|
|
| Swing |
Claude Beaucage
|
|
| Set Supervisor |
Steve Dubin
|
|
| Costume & Make-Up | Assistant Costume Designer |
Daniele Léger
|
| Makeup Artist |
Annik Boivin
|
|
| Hairstylist |
Deena Adair
|
|
| Makeup Department Head |
Susan A. Cabral
|
|
| Hair Department Head |
Matt Danon
|
|
| Key Hair Stylist |
Corald Giroux
|
|
| Costume Coordinator |
Lyse Pomerleau
|
|
| Key Makeup Artist |
Francine Gagnon
|
|
| Costumer |
Anne-Marie Langevin
|
|
| Wardrobe Assistant |
Rosalie Clermont-Bilodeau
|
|
| Assistant Makeup Artist |
Fanny Vachon
|
|
| Key Dresser |
Ginette Régis
|
|
| Costume Designer |
Marie-Sylvie Deveau
|
|
| Crew | Production Office Assistant |
Liza Bigger
|
| Utility Stunts |
Stéphane Byl
|
|
| CG Supervisor |
Caleb J. Howard
|
|
| Craft Service |
William Grunder
|
|
| Additional Music |
John Paesano
|
|
| Transportation Coordinator |
Pierre Guay
|
|
| Driver |
Michael W. Broomer
|
|
| Visual Effects Editor |
Zeke Morales
|
|
| Special Effects Coordinator |
Frank Ceglia
|
|
| Set Production Assistant |
Rhys Summerhayes
|
|
| Stunt Coordinator |
Terry Leonard
|
|
| Unit Publicist |
Karen Pidgurski
|
|
| Stand In |
Diana Jellinek
|
|
| Systems Administrators & Support |
Kevin Tengan
|
|
| Set Medic |
Jeff Johnson
|
|
| Scenic Artist |
Alain Giguère
|
|
| Video Assist Operator |
Julie Garceau
|
|
| Visual Effects Art Director |
Doug Juhn
|
|
| Aerial Coordinator |
Craig Hosking
|
|
| Pilot |
Bree McMurchy
|
|
| Marine Coordinator |
Jason Crosby
|
|
| Dialogue Coach |
Ehab Zayed
|
|
| Receptionist |
Silvy Kim
|
|
| Choreographer |
Annie Larouche
|
|
| Special Effects Assistant |
Marc Chow
|
|
| Special Effects Technician |
Jean-François Aubin
|
|
| Stunt Double |
Jophery C. Brown
|
|
| Stunt Driver |
Rick Kain
|
|
| Stunts |
Alison Reid
Jean Frenette
|
|
| Lighting | Lighting Technician |
Stéphane Byl
|
| Rigging Grip |
Frank Detone Jr.
|
|
| Rigging Gaffer |
Bernard Arseneau
|
|
| Gaffer |
Rich Paisley
|
|
| Electrician |
Jean-François Abran
|
|
| Chief Lighting Technician |
Jean Courteau
Alex Amyot
|
|
| Assistant Chief Lighting Technician |
Don Aros
|
|
| Key Rigging Grip |
Stephen Wells
|
|
| Visual Effects | Special Effects Supervisor |
Louis Craig
|
| Visual Effects Supervisor |
Glenn Neufeld
|
|
| Digital Compositors |
Joseph Abenhaim
|
|
| I/O Supervisor |
Brandon Craig
|
|
| Visual Effects Producer |
Dan Malvin
|
|
| Visual Effects Coordinator |
Paula Bonhomme
|
|
| Visual Effects Technical Director |
Elizabeth Maxwell Keith
|
|
| Visual Effects Assistant Editor |
Deborah Phillips
|
|
| Rotoscoping Artist |
Marvin Jones
|
|
| Visual Effects Production Manager |
Denise Demarest
|
|
| Matte Painter |
Cam DeLeon
|
|
| Department | Role | Name |
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