Ratings
Financials
Revenue: $168,841,459
Budget: $29,000,000
Profit: + $139,841,459
Movie Details
Tag Line: The future is history.
Status: Released
Average Rating: 8
Release Date: Dec 29, 1995
Rating: 1996-01-05
Run Time: 2h 09m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures , Atlas Entertainment , Classico , Twelve Monkeys Productions
Sources:
Genres
Keywords
People Rated This
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Synopsis
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Robert Cavallo
Gary Levinsohn
Robert Kosberg
|
| Casting |
Margery Simkin
|
|
| Producer |
Charles Roven
|
|
| Associate Producer |
Mark Egerton
Kelley Smith-Wait
|
|
| Co-Producer |
Lloyd Phillips
|
|
| Location Manager |
Scott Elias
|
|
| Casting Associate |
Mikie Heilbrun
|
|
| Production Accountant |
Matilde Valera
|
|
| Production Coordinator |
Elizabeth J. Nevin
|
|
| Unit Production Manager |
Lloyd Phillips
|
|
| Assistant Production Manager |
Charles Miller
|
|
| Casting Assistant |
Marissa Giunta
|
|
| Extras Casting |
Susan Gish
|
|
| Payroll Accountant |
John 'JR' Craigmile
|
|
| Assistant Location Manager |
Kathi Ash
|
|
| Production Secretary |
Valerie Bartlett
|
|
| Production Executive |
Richard Suckle
|
|
| Location Production Assistant |
Tim Downs
|
|
| Local Casting |
Mike Lemon
|
|
| Production Assistant |
Alex Brown
|
|
| Accounting Trainee |
Robert Zorella
|
|
| Post Production Accountant |
Howard Baral
|
|
| Post Production Coordinator |
Lucy Darwin
|
|
| Sound | Sound Editor |
Imogen Pollard
|
| Original Music Composer |
Paul Buckmaster
|
|
| Foley |
Jason Swanscott
Jack Stew
|
|
| Boom Operator |
Randy Smith
|
|
| Supervising Sound Editor |
Peter Joly
|
|
| Apprentice Sound Editor |
Tasha Pym
|
|
| ADR Editor |
Budge Tremlett
|
|
| Assistant Sound Editor |
Simon Cozens
|
|
| Foley Editor |
Ian Wilson
|
|
| Musician |
Mark Berrow
|
|
| Dialogue Editor |
Danny Longhurst
|
|
| Sound Mixer |
Jay Meagher
|
|
| Foley Artist |
Diane Greaves
|
|
| Foley Recordist |
Ted Swanscott
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Art | Production Design |
Jeffrey Beecroft
|
| Set Decoration |
Crispian Sallis
|
|
| Art Direction |
William Ladd Skinner
|
|
| Leadman |
Carl Catanese
John D. Kretschmer
|
|
| Painter |
Paul A. Minitello
|
|
| Assistant Art Director |
Robert LaPrell
Kevin Ishioka
Tim Galvin
|
|
| Construction Coordinator |
Steven Lane Ewing
|
|
| Standby Painter |
Wayne Smith
Wayne Smith
|
|
| Greensman |
Larry Misselhorn
|
|
| Location Scout |
Charley Armstrong
|
|
| Art Department Coordinator |
Lara Kelly
|
|
| Production Illustrator |
Matt Codd
Warren Manser
|
|
| Construction Foreman |
Thomas Turnbull
|
|
| Set Dresser |
Kate Bartouldus
James Kelley
|
|
| Title Designer |
Penny Causer
|
|
| Assistant Property Master |
Scott Maginnis
|
|
| Property Master |
Doug Harlocker
|
|
| Set Buyer |
Robert Holtzman
|
|
| Art Department Trainee |
Mitchell Scherr
|
|
| Writing | Screenplay |
David Webb Peoples
Janet Peoples
|
| Original Film Writer |
Chris Marker
|
|
| Costume & Make-Up | Costume Design |
Julie Weiss
|
| Hair Designer |
Christine Beveridge
|
|
| Costume Supervisor |
Eric H. Sandberg
|
|
| Hairstylist |
Christina Bartolucci
William A. Kohout
|
|
| Makeup Artist |
Allen Weisinger
|
|
| Assistant Costume Designer |
B.J. Rogers
|
|
| Key Hair Stylist |
Peggy Nicholson
|
|
| Wardrobe Supervisor |
Melissa Stanton
|
|
| Costumer |
Marina Marit
|
|
| Makeup & Hair |
Christina Bartolucci
|
|
| On Set Dresser |
Joseph Timothy Conway
|
|
| Directing | Director |
Terry Gilliam
|
| Script Supervisor |
Marilyn Bailey
|
|
| First Assistant Director |
Mark Egerton
|
|
| Second Assistant Director |
Andrew Bernstein
Philip A. Patterson
|
|
| Camera | Director of Photography |
Roger Pratt
|
| First Assistant Camera |
Vinnie Gerardo
Blackford 'Boots' Shelton
|
|
| Camera Operator |
Kyle Rudolph
Craig Haagensen
Peter Norman
|
|
| Grip |
Lee Shapira
Rhett Bloomquist
Brian Snell
William Jones
|
|
| Still Photographer |
Phillip V. Caruso
|
|
| Dolly Grip |
Patrick McGrath
|
|
| Key Grip |
Mike Miller
|
|
| Second Assistant Camera |
Bill Gerardo
|
|
| Best Boy Grip |
Thomas Jirgal
|
|
| Editing | Editor |
Mick Audsley
|
| Color Timer |
Eddie Wilder
|
|
| First Assistant Editor |
Dan Gane
Brian Ufberg
|
|
| Negative Cutter |
Trevor Collins
|
|
| Colorist |
Eric McClain
|
|
| Assistant Editor |
Amanda Pollack
|
|
| Crew | Carpenter |
Scott T. Pina
Lê Hoàng
Wesley Goodwin
Gary Pugh
Glen Foster
Ted Lubonovich II
Paul Maiello
Mark Kendig
|
| Special Effects |
James Healy
Thomas Lockey
Joseph P. Mercurio
Russell Hardee
Russell Hurlburt
David Acord
Beecher Tomlinson
Paul Kocar
|
|
| Stunts |
Bill Anagnos
Steve Santosusso
Paul Couch
Douglas Crosby
Brian Smyj
G. A. Aguilar
Elliot Santiago
E.J. Evans
Sandy Alexander
John Copeman
Steve Martin
Ronald O. Jaynes
David S. Lomax
Chuck Jeffreys
|
|
| Loader |
Thomas Greco
|
|
| Video Assist Operator |
Ian Kelly
|
|
| Legal Services |
Marc Diener
Warren Holcomb
Karen A. Oliver
|
|
| Public Relations |
Dennis Davidson
|
|
| Special Effects Coordinator |
Shirley Montefusco
|
|
| Security |
Avi Korein
|
|
| Post Production Assistant |
Pamela Susan Hall
Glynn Williams
|
|
| Craft Service |
Reva Grantham
Elena Moscatt
|
|
| Set Medic |
Ted Criswell
|
|
| Unit Publicist |
Ernie Malik
|
|
| Propmaker |
Rick Gamez
Steve Cotroneo
|
|
| Stunt Coordinator |
Steve Martin
|
|
| Driver |
Richard Curry
|
|
| Scenic Artist |
Silvija L. Moess
|
|
| Animal Coordinator |
Jim Clubb
|
|
| Pyrotechnician |
Ken Tarallo
|
|
| Stunt Double |
Terry Jackson
|
|
| Special Effects Technician |
Gary Pilkinton
|
|
| Assistant Craft Service |
Carole French
|
|
| Lighting | Rigging Gaffer |
Craig Ligget
|
| Electrician |
Keith Salkowski
David Cecil
Bill Fiedler
Andrew Reed Conner
|
|
| Rigging Grip |
Matt Miller
Mike Finnegan
|
|
| Chief Lighting Technician |
Chuck Finch
|
|
| Assistant Chief Lighting Technician |
Steven Litecky
|
|
| Visual Effects | Digital Compositors |
Doug Forrest
Chris Panton
Steve Cutmore
Richard Bain
Martin Body
|
| Visual Effects Coordinator |
Susi Roper
|
|
| Visual Effects Supervisor |
Kent Houston
|
|
| Special Effects Supervisor |
Anthony Simonaitis
|
|
| Department | Role | Name |







