Bridget Jones's Diary
(2001) All women keep score... Only the great ones put it in writing. | Released
Ratings
66%
6.7
6.7
80%
Financials
Revenue: $281,900,000
Budget: $25,000,000
Profit: + $256,900,000
Movie Details
Tag Line: All women keep score... Only the great ones put it in writing.
Status: Released
Average Rating: 7
Release Date: Apr 13, 2001
Rating: 2001-10-09
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: France , Ireland , United Kingdom , United States of America
Production Companies: Universal Pictures , StudioCanal , Miramax , Working Title Films , Little Bird
Sources:
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Keywords
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Where to watch Bridget Jones's Diary
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Synopsis
A chaotic Bridget Jones meets a snobbish lawyer, and he soon enters her world of imperfections.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Helen Fielding
|
| Producer |
Jonathan Cavendish
Eric Fellner
Tim Bevan
|
|
| Line Producer |
Peter McAleese
|
|
| Production Supervisor |
Brian Donovan
|
|
| Casting |
Michelle Guish
|
|
| Co-Producer |
Debra Hayward
Liza Chasin
|
|
| Production Coordinator |
Hermione Ninnim
|
|
| Unit Manager |
Claire Tovey
|
|
| Executive In Charge Of Production |
Michelle Wright
|
|
| Production Manager |
Em. L. Muslin
|
|
| Location Manager |
Benjamin Greenacre
|
|
| Production Accountant |
Wendy Ellerker
|
|
| Casting Assistant |
Gaby Kester
|
|
| ADR Voice Casting |
Louis Elman
|
|
| Production Runner |
Linda Benson
|
|
| Production Secretary |
Ingrid Mende
|
|
| Casting Director |
Chloe Emmerson
|
|
| Assistant Accountant |
Fry Martin
|
|
| Location Assistant |
Nick Oliver
|
|
| Production Executive |
Sarah-Jane Robinson
|
|
| Costume & Make-Up | Makeup Artist |
Lorna McGowan
Carmel Jackson
|
| Costume Design |
Rachael Fleming
|
|
| Hair Designer |
Graham Johnston
|
|
| Assistant Costume Designer |
Stephen Noble
|
|
| Set Dressing Production Assistant |
Josephine Warne
|
|
| Makeup Designer |
Vanessa White
|
|
| Wardrobe Supervisor |
Natalie Ward
|
|
| Wardrobe Assistant |
Martin Chitty
|
|
| Additional Wardrobe Assistant |
Sheridan Jones
|
|
| Costume Assistant |
Fiona Coutts
|
|
| Costumer |
Carlo Manzi
|
|
| Art | Production Design |
Gemma Jackson
|
| Assistant Art Director |
Paul Inglis
|
|
| Standby Painter |
Robert Betts
|
|
| Supervising Art Director |
David Warren
|
|
| Art Direction |
Paul Cross
|
|
| Set Decoration |
Shirley Lixenberg
|
|
| Set Decoration Buyer |
Fergus Clegg
|
|
| Art Department Assistant |
Andrea Couch
|
|
| Construction Coordinator |
Alan Chesters
|
|
| Painter |
Michael Gunner
|
|
| Property Master |
Bruce Bigg
|
|
| Title Designer |
Janice Mordue
|
|
| Dressing Prop |
Peter Hasler
|
|
| Graphic Designer |
Carol Kupisz
|
|
| Supervising Carpenter |
David Ned Kelly
|
|
| Storyboard Artist |
Jane Clark
|
|
| Directing | Director |
Sharon Maguire
|
| Script Supervisor |
Pat Rambaut
|
|
| First Assistant Director |
Stuart Renfrew
|
|
| Continuity |
Laura Gwynne
|
|
| Third Assistant Director |
Ed Raymond
Fiona Gosden
|
|
| Second Assistant Director |
Finn McGrath
|
|
| Second Unit Director |
Cilla Ware
|
|
| Writing | Screenplay |
Andrew Davies
Richard Curtis
Helen Fielding
|
| Novel |
Helen Fielding
|
|
| Script Editor |
Emma Freud
|
|
| Sound | Original Music Composer |
Patrick Doyle
|
| Sound mixer |
David Crozier
|
|
| Music Editor |
Michael Higham
|
|
| Sound Re-Recording Mixer |
John Hayward
|
|
| Songs |
Andy Richards
|
|
| Boom Operator |
Tony Bell
|
|
| Dolby Consultant |
Michael Denner
|
|
| Music Supervisor |
Nick Angel
|
|
| Orchestrator |
Lawrence Ashmore
|
|
| Supervising Sound Editor |
Glenn Freemantle
|
|
| ADR Editor |
Gillian Dodders
|
|
| Sound Recordist |
David John
|
|
| Assistant Sound Editor |
Tom Sayers
|
|
| Foley Editor |
Peter Holt
|
|
| Musician |
Tonia Davall
|
|
| Music Producer |
Glen Ballard
|
|
| ADR Mixer |
Peter Gleaves
|
|
| Foley Mixer |
Kevin Tayler
|
|
| Foley Artist |
Ricky Butt
|
|
| Sound Assistant |
Steven Wyles
|
|
| Camera | Director of Photography |
Stuart Dryburgh
|
| Steadicam Operator |
Peter Robertson
|
|
| Additional Photography |
Buddy Blackwell
|
|
| Still Photographer |
Alex Bailey
|
|
| Camera Operator |
Darren De'Ath
|
|
| Helicopter Camera |
Marc Wolff
|
|
| Key Grip |
Nick Ray
|
|
| Camera Loader |
Charlie England
Bob Cooke
|
|
| Grip |
Malcolm Beale
|
|
| Aerial Camera |
Adam Dale
|
|
| Drone Pilot |
Philip George
|
|
| Focus Puller |
Tristam Cones
|
|
| Assistant Camera |
Charlie Woodburn
|
|
| Camera Trainee |
Kim Vinegrad
|
|
| Data Wrangler |
Darrel Griffin
|
|
| Editing | Editor |
Martin Walsh
|
| First Assistant Editor |
Alastair Grimshaw
|
|
| Color Timer |
Peter Hunt
|
|
| Assistant Editor |
Simon Harris
|
|
| Crew | Technical Supervisor |
Martin Preston
|
| Post Production Supervisor |
Jeanette Haley
|
|
| Carpenter |
Ray Bell-Chambers
|
|
| Choreographer |
Alison Mahoney
|
|
| Stunts Coordinator |
Peter Brayham
|
|
| Unit Publicist |
Stacy Mann
|
|
| Video Assist Operator |
Mike Clark-Hall
|
|
| Visual Effects Editor |
John Seymour
|
|
| Digital Effects Supervisor |
Colin Laski
|
|
| Stand In |
Amy Coop
|
|
| Driver |
Paul Brosnan
|
|
| Special Effects Technician |
Graham Hills
|
|
| Health and Safety |
Paul Jackson
|
|
| Assistant Script |
Jeanette McGrath
|
|
| Generator Operator |
Micky May
|
|
| Special Effects Assistant |
Jude Harris
|
|
| Stunt Double |
Dani Biernat
|
|
| Floor Runner |
Vicki Allen
|
|
| Lighting | Electrician |
Chris Gilbertson
|
| Gaffer |
Gary Colkett
|
|
| Visual Effects | Visual Effects Supervisor |
Frazer Churchill
|
| Special Effects Supervisor |
David Harris
|
|
| Visual Effects Producer |
Matthew Holben
|
|
| Visual Effects Coordinator |
Hal Couzens
|
|
| Compositing Artist |
Adrian Banton
|
|
| Department | Role | Name |
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