Inglourious Basterds
(2009) A basterd's work is never done. | Released
Ratings
69%
8.2
8.3
88%
Financials
Revenue: $321,457,747
Budget: $70,000,000
Profit: + $251,457,747
Movie Details
Tag Line: A basterd's work is never done.
Status: Released
Average Rating: 8
Release Date: Aug 2, 2009
Rating: R
Run Time: 2h 33m
Original Language: English
Website: -
Production Countries: France , Germany , United States of America
Production Companies: The Weinstein Company , Universal Pictures , A Band Apart , Zehnte Babelsberg Film , Visiona Romantica , Peninsula Films
Genres
Keywords
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Synopsis
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Quentin Tarantino
|
| Script Supervisor |
Martin Kitrosser
|
|
| Assistant Director |
Carlos Fidel
|
|
| Writing | Writer |
Quentin Tarantino
|
| Production | Producer |
Lawrence Bender
|
| Casting |
Johanna Ray
Simone Bär
Olivier Carbone
Jenny Jue
|
|
| Executive Producer |
Lloyd Phillips
Bob Weinstein
Harvey Weinstein
Erica Steinberg
|
|
| Co-Producer |
Henning Molfenter
Charlie Woebcken
Christoph Fisser
|
|
| Associate Producer |
Bruce Moriarty
Pilar Savone
William Paul Clark
|
|
| Location Manager |
Klaus Große Darrelmann
|
|
| Unit Production Manager |
Michael Scheel
Gregor Wilson
|
|
| Post Production Coordinator |
Sheryl Benko
|
|
| Camera | Director of Photography |
Robert Richardson
|
| Still Photographer |
François Duhamel
|
|
| Steadicam Operator |
Sebastian Meuschel
|
|
| First Assistant "A" Camera |
Gregor Tavenner
|
|
| First Assistant "B" Camera |
Birgit Dierken
|
|
| Clapper Loader |
Geraldine Brezca
|
|
| Second Assistant "A" Camera |
Gero Neumann
|
|
| Second Assistant "B" Camera |
Nicole Dierken
|
|
| Editing | Editor |
Sally Menke
|
| Additional Editor |
Joe D'Augustine
|
|
| Assistant Editor |
Julie Garcés
Erin Hopkins
|
|
| First Assistant Editor |
Evan Henke
Stephanie Johnson
|
|
| Color Timer |
Yvan Lucas
|
|
| Editorial Production Assistant |
Matthew Sakata
|
|
| Sound | Sound Designer |
Harry Cohen
Ann Scibelli
|
| Sound Re-Recording Mixer |
Tony Lamberti
Michael Minkler
|
|
| ADR Supervisor |
Gregg Baxter
|
|
| Supervising Sound Editor |
Wylie Stateman
|
|
| Music Editor |
Jim Schultz
|
|
| Music Supervisor |
Mary Ramos
|
|
| Production Sound Mixer |
Mark Ulano
|
|
| Crew | Stunts |
Zoë Bell
Sascha Girndt
Danny Bortfeld
Sebastiano Cartier
Dennis Grzesczak
Michael Duessel
|
| Stunt Double |
Zoë Bell
Alexandra Nazahn
Kristin Haberland
Sönke Korries
|
|
| Thanks |
Maggie Cheung
Tom Tykwer
Cloris Leachman
Eli Roth
Barry Primus
Gabriel Roth
|
|
| Stunt Coordinator |
Antje Rau
Bud Davis
Jeffrey J. Dashnaw
|
|
| Makeup Effects |
Greg Nicotero
Howard Berger
Jake Garber
|
|
| Utility Stunts |
Tim Trella
|
|
| Driver |
Nils Konrad
|
|
| Additional Script Supervisor |
Caroline Veyssière
|
|
| Loader |
Matthias Pilz
|
|
| Post Production Supervisor |
Tina Anderson
Christopher Berg
|
|
| Art | Production Design |
David Wasco
|
| Set Decoration |
Sandy Reynolds-Wasco
|
|
| Art Direction |
Marco Bittner Rosser
Stephan O. Gessler
David Scheunemann
|
|
| Supervising Art Director |
Sebastian T. Krawinkel
|
|
| Costume & Make-Up | Costume Design |
Anna B. Sheppard
Giorgio Armani
|
| Makeup Artist |
Katrin Schneider
|
|
| Hairstylist |
Dörte Eben
|
|
| Makeup Department Head |
Heba Thorisdottir
|
|
| Key Hair Stylist |
Emanuel Millar
|
|
| Visual Effects | Visual Effects Designer |
John Dykstra
|
| Visual Effects Supervisor |
Viktor Müller
|
|
| Visual Effects Camera |
Lester Dunton
|
|
| Department | Role | Name |