Solace
(2015) How do you stop a killer that can read your mind? | Released
Ratings
36%
6.4
6.4
25%
Financials
Revenue: $22,586,863
Budget: $0
Profit: + $22,586,863
Movie Details
Tag Line: How do you stop a killer that can read your mind?
Status: Released
Average Rating: 6
Release Date: Sep 3, 2015
Rating: R
Run Time: 1h 41m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Venture Forth , Grindstone Entertainment Group , Lionsgate Premiere , Eden Rock Media , FilmNation Entertainment , Flynn Picture Company , Silver Reel , Supersensory , Black Maria
Genres
Keywords
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Synopsis
A psychic doctor, John Clancy, works with an FBI special agent in search of a serial killer.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Writer |
Ted Griffin
Sean Bailey
|
| Production | Casting |
Deborah Aquila
Tricia Wood
|
| Producer |
Beau Flynn
Tripp Vinson
Thomas Augsberger
Matthias Emcke
Claudia Bluemhuber
|
|
| Unit Production Manager |
Jen Wall
|
|
| Location Manager |
Mac Gordon
|
|
| Casting Associate |
Lisa Zagoria
|
|
| Researcher |
Edward Hemming
|
|
| Production Coordinator |
Latisha Fortune
|
|
| Sound | Original Music Composer |
BT
|
| Music Editor |
Richard Ziegler
|
|
| Sound Re-Recording Mixer |
Martin Czembor
|
|
| Supervising Sound Editor |
Ruy García
|
|
| Sound Effects Editor |
Sean Garnhart
|
|
| Sound Recordist |
Michael Kurihara
|
|
| Foley Editor |
Steven Visscher
|
|
| Sound Editor |
Bill Orrico
|
|
| Music Supervisor |
Aminé Ramer
|
|
| ADR & Dubbing |
Roland Vajs
|
|
| Sound Mixer |
Shirley Libby
|
|
| Boom Operator |
Freddy Chancellor
|
|
| Art | Production Design |
Brad Ricker
|
| Property Master |
Eric J. Bates
|
|
| Construction Coordinator |
Curtis Crowe
|
|
| Set Designer |
Drew Monahan
Jayme Leach Long
|
|
| Art Direction |
Cameron Beasley
|
|
| Set Decoration |
Frank Galline
|
|
| Art Department Coordinator |
Laurie Bookhardt
|
|
| Greensman |
Matthew Butler
|
|
| Leadman |
Mike Ellison
|
|
| Art Department Assistant |
Stephanie Little
|
|
| Costume & Make-Up | Costume Design |
Denise Wingate
|
| Makeup Department Head |
Nikoletta Skarlatos
|
|
| Makeup Designer |
Nikoletta Skarlatos
|
|
| Costume Supervisor |
Virginia Burton
|
|
| Makeup Artist |
Susan Ransom
Carol Rasheed
|
|
| Seamstress |
Synithia Cochran
|
|
| Key Hair Stylist |
Joe Matke
|
|
| Key Costumer |
Johnna Thomas
|
|
| Camera | Director of Photography |
Brendan Galvin
|
| Steadicam Operator |
Peter Rosenfeld
|
|
| "A" Camera Operator |
Peter Rosenfeld
|
|
| Still Photographer |
Blake Tyers
|
|
| Camera Operator |
Tim Fabrizio
|
|
| First Assistant "A" Camera |
Jeffrey N. Civa
|
|
| Second Assistant "B" Camera |
Hugh Braselton
|
|
| First Assistant "B" Camera |
Julie Donovan
|
|
| Aerial Camera |
Victor Martins
|
|
| Key Grip |
Landon Ruddel
|
|
| "B" Camera Operator |
Carlos André Zalasik
|
|
| Second Assistant "A" Camera |
Trey Twitty
|
|
| Crew | Stunt Coordinator |
Toby Holguin
|
| Stunts |
Jennifer Badger
|
|
| Visual Effects Editor |
Mark Edward Wright
|
|
| Stunt Driver |
Grady Allen Bishop
|
|
| Stunt Double |
Karin Justman
|
|
| Carpenter |
Jeffrey Harris
|
|
| Scenic Artist |
Sunny Hahlen
|
|
| Pilot |
Jose Luiz De Paula
|
|
| Directing | Director |
Afonso Poyart
|
| Script Supervisor |
Mari Wilson
|
|
| First Assistant Director |
Christopher S. Bryson
|
|
| Second Assistant Director |
Irina Bryson
|
|
| Lighting | Gaffer |
Stephen Crowley
|
| Rigging Grip |
Humphrey Jarrod
|
|
| Best Boy Electric |
Michael J. Davis
|
|
| Visual Effects | Visual Effects Supervisor |
Randy Goux
|
| Visual Effects Producer |
William Higgins
|
|
| Editing | Editor |
Lucas Gonzaga
|
| Assistant Editor |
Arielle Sherman
|
|
| Department | Role | Name |
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